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After boring the students with a story about talking cats, Miss Caroline introduces the alphabet. At her teacher's request, Scout reads the letters flawlessly and then proceeds to read a children's book aloud. Lee uses the literary technique of irony to emphasize the absurdity of Miss Caroline's reaction. It is ironic, or opposite of what we expect, that Miss Caroline expresses annoyance about Scout's ability to read. The teacher even goes so far as to tell Scout to stop learning to read at home. Ridiculous! Scout assures the teacher that her father, Atticus, hasn't taught her anything, but Miss Caroline refuses to believe her. So poor Scout is left wondering why she is in trouble at school for learning.
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-Bondadosa niña, yo desenmarañaba un hilo, no pensaba en tu padre; pero ahora que pienso quiero decir esto: Atticus Finch es el mismo en casa que por las calles públicas. ¿:Te gustaría llevarte a casa un poundcake2 recién hecho?
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"It's lovely, Jem," I said. "Looks almost like he'd talk to you.
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Francis sat beside me on the back steps. "That was the best yet," I said. "Grandma's a wonderful cook," said Francis. "She's gonna teach me how."
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Miss Caroline inspected her roll-book. "I have a Ewell here, but I don't have a first name … would you spell your first name for me?"
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The scene in the bathtub, that’s where the real meat of the crime is taking place and it tells you everything about how it happened in the past and what really happened to the girls. So that’s sort of the meat of the finale. That’s the real answer to the whodunit. And then the surprise of — oh, and there is someone still doing it or still out there a victim in this — did feel like it’s own coda, in a way.
Para no arriesgarme a un altercado con Calpurnia, hice lo que Jem me mandaba. Por no sé qué razón, mi primer año de escuela había introducido un gran cambio en nuestras relaciones; la tiranía, la falta de equidad y la manía de Calpurnia de mezclarse en mis asuntos se habían reducido a unos ligeros murmullos de desaprobación general. Por mi parte, a veces, me tomaba muchas molestias para no provocarla.
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The loss of Clarisse becomes an obsession for Guy Montag. He reveals his hoard of books and puts all of his energy into undermining the government. Clarisse comes to represent a beacon of hope for Montag - and really a beacon of hope for society. Despite the government's best efforts, Clarisse retained a level of perception and intuition that was otherwise stamped out in most other people.
Captain Beatty also explains the use of such manipulation tactics to promote a particular political agenda:
• ^ Bradbury, Ray (2003). Fahrenheit 451 (50th anniversary ed.). New York, NY: Ballantine Books. pp. 175–79. ISBN 0-345-34296-8.
Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Also Read: Why 'Sharp Objects' Showrunner Named Each Episode After a Word on Camille's Body
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Censorship In Fahrenheit 451 960 Words | 4 Pages
All eight episodes (seven of which were made available to critics) are directed by Jean-Marc Vallée, in his second collaboration with HBO after last year’s breakout hit, Big Little Lies. Those familiar with the director’s work will recognize his creative flourishes, here used effectively to depict the dreamlike nature of memory, the weight of childhood trauma. Quick flashes of images—a ceiling fan, a spider, a dead sister—intersect scenes, conveying Camille’s thoughts and memories. There aren’t many typical “flashback” sequences, because that’s not how our brains actually work. We don’t have long, vivid memories in the middle of our days. Rather, memories often just appear out of nowhere, sometimes connected to our thoughts, sometimes not. The images don’t always make sense.
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After 12 years, and in a new way. That’s pretty cool.
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La -Primera Compra African M.E. Church” estaba en los Quarters, fuera de los límites meridionales de la ciudad, al otro lado de los caminos de las aserradoras. Era un antiguo edificio de madera, cuya pintura se desconchaba, el único templo de Maycomb con campanario y campana, llamado -Primera Compra” porque la pagaron con sus primeras ganancias los esclavos liberados. Los negros celebraban culto en ella todos los domingos, y los blancos iban a jugar allí los días de trabajo.
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But brush those quirks aside, and what you're left with is one of the most shockingly prescient dystopias ever written — a far more accurate portrayal of our present problems than 1984 or anything in the works of Philip K Dick.
But Mrs. Dubose held us: "Not only a Finch waiting on tables but one in the courthouse lawing for niggers!"
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• ^ Steffen, Amie (August 6, 2012). " Sharp Objects a stomach-wrenching journey into family torment". The Waterloo-Cedar Falls Courier. Waterloo, Iowa: Lee Enterprises . Retrieved January 21, 2014.
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it offers a further introduction to Maycomb’s tortured social ladder;
As Harry Browne once said, “Since no one but you can know what 's best for you, government control can 't make your life better.” In Fahrenheit 451, a book by Ray Bradbury, he shows ways on how the government is controlling society with surveillance, technology, and censorship. The government gets to decide what is to be done and what comes in and out of that country. In the novel, it shows how the firefighter, Guy Montag, is different than the other people in that society. These aspects of government
1. A problem, task, situation, or course of action in which the outcome or solution one desires is especially difficult or impossible to achieve due to contradictory, illogical, or paradoxical rules, regulations, or conditions. The term comes from the title of the 1961 novel by Joseph Heller, in which a fighter pilot attempts to avoid further combat missions under a statute stating that any pilot who willingly continues to fly missions is insane. However, he is thwarted by the pronouncement that if a pilot requests to stop flying, he proves his sanity by showing a concern for his own safety. The company's cost-reduction plan is a Catch-22—they need to lay off half the staff to keep the company open, but with so few people, we won't be able to complete all the work that's needed to earn enough revenue.
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"Well dammit, you ever talk to them?" Not since Christmas: a chilly, polite call after administering three bourbons. I'd worried my mother could smell it through the phone lines.
-¿:Usted cree que son ciertas todas estas cosas que dicen de B... mister Arthur?
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Last week I read the fuck out of Gillian Flynn's catalog. Three novels in eight days while my wife and kids were out of town and a sweltering late July marooned me in one of the house's two air conditioned rooms. So although this review is primarily for Sharp Objects, my favorite of Flynn's trio, let me go on record with Gone Girl (four stars, go read another of the zillion of reviews) and Dark Places (three stars, maybe too many narratives perspectives and too willing to wallow in the muck) as Last week I read the fuck out of Gillian Flynn's catalog. Three novels in eight days while my wife and kids were out of town and a sweltering late July marooned me in one of the house's two air conditioned rooms. So although this review is primarily for Sharp Objects, my favorite of Flynn's trio, let me go on record with Gone Girl (four stars, go read another of the zillion of reviews) and Dark Places (three stars, maybe too many narratives perspectives and too willing to wallow in the muck) as well, but I'm not writing reviews for those two. Sharp Objects, to me, stands out as Flynn's best so far. The narrator and the storyline don't dance with each other in a seamless, synchronized manner; family history and unwritten community norms mosh-pit it up until the collective response to the murders reminded me of that Soundgarden video where all the faces go funhouse-mirror-y. This narrator isn't a shining heroine. She's very human, supremely fucked up, trying to make sense and move forward. Maybe that's what makes Sharp Objects so interesting.
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}, {"2":2,"3":3,"5":5,"34":34,"50":50,"51":51}];
Scout is puzzled by this remark and asks Miss Maudie Atkinson about it. Miss Maudie says that: “Mockingbirds don't do one thing but make music for us to enjoy. They don't eat up people's gardens, they don't nest in corncribs, they don't do one thing but sing their hearts out for us. That's why it's a sin to kill a mockingbird. ”
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"Yes sir," I said, not understanding a word he said. I had an idea, however, that Aunt Alexandra's appearance on the scene was not so much Atticus's doing as hers. Aunty had a way of declaring What Is Best For The Family, and I suppose her coming to live with us was in that category. Maycomb welcomed her. Miss Maudie Atkinson baked a Lane cake so loaded with shinny it made me tight; Miss Stephanie Crawford had long visits with Aunt Alexandra, consisting mostly of Miss Stephanie shaking her head and saying, "Uh,uh,uh." Miss Rachel next door had Aunty over for coffee in the afternoons, and Mr. Nathan Radley went so far as to come up in the front yard and say he was glad to see her.
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El elemento estilístico más característico según las críticas es el talento de Lee para la narración, que en una temprana crítica de Time fue calificada de una «brillantez táctil». [26 ]​ Una década después, un estudioso de la obra señaló: «Harper Lee tiene un excepcional talento para contar historias. Su arte es visual y con fluidez cinematográfica y sutileza vemos una escena fundiéndose con otra sin sobresaltos de transición». [27 ]​ Lee combina la voz del narrador de una niña que observa lo que sucede a su alrededor con la de una mujer adulta reflexionando sobre su infancia, al tiempo que utiliza la ambigüedad de esta voz en combinación con la técnica narrativa de analepsis para jugar intrincadamente con las perspectivas. [28 ]​ Este método narrativo permite a Lee contar una historia «divinamente engañosa» que mezcla la simpleza de las apreciaciones infantiles con situaciones de adultos enrevesadas por motivos ocultos y tradiciones incontestables. [29 ]​ No obstante, esa mezcla en ocasiones provoca que los críticos cuestionen el sobrenatural vocabulario empleado por Scout y su profunda comprensión de los sucesos. [30 ]​ Tanto Harding Lemay como el novelista y crítico literario Granville Hicks expresaron sus dudas sobre que niños tan protegidos como Scout y Jem pudieran entender la complejidad y el horror que suponía el juicio de Tom Robinson. [31 ]​ [32 ]​
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He did not begin to calm down until he had cut the tops off every camellia bush Mrs. Dubose owned, until the ground was littered with green buds and leaves. He bent my baton against his knee, snapped it in two and threw it down.
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"I'm still crazy. The rain feels good. I love to walk in it.
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Everyone, then, who deals with organizations understands the bureaucratic logic of Catch-22. In high school or college, for example, students can participate in student government, a form of self-government and democracy that allows them to decide whatever they want, just so long as the principal or dean of students approves. This bogus democracy that can be overruled by arbitrary fiat is perhaps a citizen's first encounter with organizations that may profess 'open' and libertarian values, but in fact are closed and hierarchical systems. Catch-22 is an organizational assumption, an unwritten law of informal power that exempts the organization from responsibility and accountability, and puts the individual in the absurd position of being excepted for the convenience or unknown purposes of the organization. [5]
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• ^ "Author Gillian Flynn reveals madness behind writing". The Gazette. Cedar Rapids, Iowa: The Gazette Company. June 23, 2013 . Retrieved January 21, 2014.
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It may seem that Ray Bradbury's Fahrenheit 451 is becoming less relevant these days, as hard-copy books are at risk of disappearing, pushed aside by digital communications. Without paper media, warnings about book-burning may seem increasingly old-fashioned.
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"Okay, okay, but I don't wanta watch. Jem, somebody was-"
I'm not sure how many stars I really want to give this book. After all, it was pretty interesting. But like I said, this book made me feel so bad. And even after I finished the book - the bad feeling remained there and gave me no rest. The ending was over well, but I personally didn’t feel rested, the book continued to disturb me even after I finished reading it.
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"use strict";const urlParse=require(256).parse,queryService=require(55),queryString=require(1181),escapeStringRegExp=require(605),rest=require(9),log=require(29).setup({file:__filename}),utils=require(13),agoraService=require(1333),{affiliateList:affiliateList}=require(185),_get=require(48),_set=require(100),_uniqBy=require(966),_sortBy=require(115),{ensureSubtag:ensureSubtag}=require(46),indexName="*-products",queryBody={sort:[{_index:{order:"desc"}},{creationDate:{order:"asc"}}]},productComponentInstancesPath="/_components/product/instances",moment=require(204);function getProductIdFromUrl(e,r){let t=queryService(indexName,r);return t.body=queryBody,t.body.query={term:{buyUrl:e}},queryService.searchByQueryWithRawResult(t,{uniqueKey:`getProductIdFromUrl:${utils.urlToCanonicalUrl(e)}`},r,!1).then(e=>_get(e,"hits.hits[0]._source.productId")).catch(e=>log("debug","product doesn't exist: hits.hits[0]._source.productId",{error:e.message}))}function createProduct(e,r){const t={name:e.text,buyUrl:e.url,buyUrlHistory:[e.url],vendor:"Amazon"};return,t,!0).then(e=>{const t=utils.uriToUrl(e._ref+"@published",r);return delete e._ref,rest.put(t,e,!0)}).catch(r=>{throw log("error",`error creating product instance from link ${e.url}`,{error:r.message}),r})}function addProductIdToProduct(e,r){var t=e.url;return t?getProductIdFromUrl(t,r).then(t=>t||createProduct(e,r).then(e=>e.productId)).then(r=>(e.productId=r,e)).catch(e=>{throw new Error(`Error occurred while retrieving product entry from elastic: ${e}`)}):e}function mapUrlsToProducts(e,r){return Object.keys(e).map(function(t){const a={url:t,text:e[t],productId:"",amazonSubtag:""},o=agoraService.buildMerchantsByUrlQuery(t,r);return agoraService.searchByQueryWithRawResults(o,r).then(e=>(_set(a,"productId",_get(e,"hits.hits[0]._source.productId","")),a)).catch(()=>a)})}function isAmazonUrl(e){const r=(e.split("://")[1]||"").split("/")[0].toLowerCase(),t=e.includes("")?"":"";return 0===r.indexOf(t)||r.indexOf(`.${t}`)>0}function reduceToUniqueAmazonUrls(e){return e.split(' "),a=r.substr(0,t),o=a.indexOf('" '),n=o>-1?a.substr(0,o):a.substr(0,a.length-1),i=r.substr(t+1).split("")[0];return isAmazonUrl(n)&&(e[n]=i),e},{})}function addAmazonLinkTrackingAttributes(e,r){const t=mapUrlsToProducts(reduceToUniqueAmazonUrls(e.text||""),r);return Promise.all(t).then(t=>(e.text=t.reduce(function(e,t){var a=generateBuyUrlWithSubtag({buyUrl:t.url,productId:t.productId},r),o=new RegExp(` ]*`,"g"),n=` e.imageUrl),e=_uniqBy(e,e=>,_uniqBy(e,e=>{var a=_get(e,"buyUrl","")||_get(e.merchants[0],"buyUrl",""),o=_get(a.match(t),"[0]");return o?o.replace(r,""):a})}function generateSubtags(e,r){e.forEach(e=>{e.buyUrlWithSubtag=generateBuyUrlWithSubtag(e,r)})}function isNarrativClickmateLink(e=""){return e.includes("")}function isNarrativSmartlink(e=""){return e.includes("")&&!isNarrativClickmateLink(e)}function sanitizeNarrativUrl(e=""){let r=urlParse(e.replace(".anf",""));return r.protocol?(r.protocol="https:",r.slashes=!0,r.query=null,encodeURIComponent(r.format())):sanitizeNarrativUrl(`https://${e}`)}function generateNarrativClickmateLink(e,r="nymagtestaccount",t,a){const o=_get(a,"url",""),n=(_get(a,"pageUri")||o).replace("@published",""),{articleName:i,articleUrl:u,lockNarrativLink:s=!0}=t,c=o.match(/_(pages|components)/)?null:o;if(isNarrativClickmateLink(e)){const r=e.split("?")?e.split("?").pop():"";e=queryString.parse(r).url||e}return""+`url=${encodeURIComponent(e)}`+`&publisher_slug=${r}`+(i?`&article_name=${encodeURIComponent(i)}`:"")+"&article_url="+sanitizeNarrativUrl(u||n)+`&exclusive=${s?1:0}`+(c?`&display_url=${encodeURIComponent(c)}`:"")}function handleNarrativeLinks(e,r,t,a){const o=utils.isProduction(t.url),n=utils.isPublishedVersion(e),i=o&&n?"nymag":"nymagtestaccount";r.forEach(e=>{const r=isNarrativSmartlink(e.buyUrl);"Narrativ"!==e.affiliate||r||(e.buyUrl=generateNarrativClickmateLink(e.buyUrl,i,a,t))})}function handleRatingsAndReviews(e){e.forEach(e=>{const{ratings:r,reviews:t}=parseRatingsAndReviews(e.ratingsAndReviews);_set(e,"ratings",r?`${r} stars`:null),_set(e,"reviews",t?`${t} reviews`:null)})}function parseRatingsAndReviews(e){const r=e||"",t=_get(r.match(/[0-9][.0-9]* star[s]*/i),"[0]",""),a=_get(r.match(/[0-9,]* reviews/i),"[0]","");return{ratings:_get(t.match(/[0-9][.0-9]*/),"[0]",""),reviews:_get(a.match(/[0-9,]*/),"[0]","")}}function processAgoraMerchants(e,r,t,a){return handleNarrativeLinks(e,r,t,a),generateSubtags(r,t),handleRatingsAndReviews(r),r}function handleSalePrice(e){const r=e.merchants?e.merchants:[],t=moment();return r.forEach(e=>{e.saleBeginDateTime&&(t {if(!_get(r,"productId"))throw new Error("Product Not Found");if(!_get(r,"merchants[0].buyUrl"))throw new Error("Product has no merchants");return e.agoraId=r.productId,r}).catch(r=>{const t=_get(e,"agora.merchants[0].buyUrl");if(log("warn",`Error pulling data from agora: ${r}`,{productId:e.agoraId||e.productId}),t)return e.agora;throw new Error}).then(handleSalePrice):Promise.reject()}function getSingleProductFromAgora(e,r){return e?agoraService.getProduct(e,r).then(e=>{if(!_get(e,"productId"))throw new Error("Product Not Found");if(!_get(e,"merchants[0].buyUrl"))throw new Error("Product has no merchants");return e}).then(handleSalePrice):Promise.reject()}function orderMerchantsByAffiliate(e){return _sortBy(e,e=>{const r=_get(e,"affiliate",""),t=affiliateList.indexOf(r);return t>-1?t:-1/0})}require(197),module.exports.addAmazonLinkTrackingAttributes=addAmazonLinkTrackingAttributes,module.exports.generateBuyUrlWithSubtag=generateBuyUrlWithSubtag,module.exports.getProductIdFromUrl=getProductIdFromUrl,module.exports.isAmazonUrl=isAmazonUrl,module.exports.addProductIdToProduct=addProductIdToProduct,module.exports.removeDuplicateProducts=removeDuplicateProducts,module.exports.processAgoraMerchants=processAgoraMerchants,module.exports.isNarrativClickmateLink=isNarrativClickmateLink,module.exports.isNarrativSmartlink=isNarrativSmartlink,module.exports.getProductFromAgora=getProductFromAgora,module.exports.orderMerchantsByAffiliate=orderMerchantsByAffiliate,module.exports.sanitizeNarrativUrl=sanitizeNarrativUrl,module.exports.getSingleProductFromAgora=getSingleProductFromAgora,module.exports.parseRatingsAndReviews=parseRatingsAndReviews;
do with books, since they are the only things he knows for sure
• ^ Genzlinger, Neil (March 25, 2006). "Godlight Theater's 'Fahrenheit 451' Offers Hot Ideas for the Information Age". The New York Times . Retrieved March 2, 2013.
"We-ll," I said, "who's so high and mighty all of a sudden?"
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No hacía buñuelos a menudo, pues aseguraba que no tenía tiempo, pero hoy estando Jem y yo en la escuela, había sido para ella un día de poco ajetreo. Y sabía que los buñuelos me gustaban mucho.
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Arnold's enduring poem about a seascape where "ignorant armies clash by night" has also lent lines to Ian McEwan's novel Saturday, and provided the title for Norman Mailer's Armies of the Night.
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